PhD candidate Jauquelyne Kosgei at WISER (Wits)

Jauquelyne Kosgei is a PhD candidate in the English Department at Stellenbosch University. Her research, located in Indian Ocean Studies, focuses on reviving indigenous knowledges and argues for the inclusion of oral sources in mainstream discourse.

She has been invited to give a seminar at WiSER, Wits, as part of the Oceanic Humanities project. On Wednesday 19th February, she will speak on: “Embodied and Experiential Cartographies of the Indian Ocean: Digo Oral Testimonies and Oral Poetry”. In the presentation, she explores embodied and experiential knowledges of the sea in an attempt to map how local people at the Kenyan coast conceptualise the Indian Ocean, exploring multiple dimensions of the sea – the economic, the spiritual, and the ecological. Her discussion uses accounts that she recorded among the Digo (one of the nine Mijikenda tribes), these narratives being oral testimonies by a sailor and a fisherman, and oral poems by Bahati Ngazi, a young poet. The testimony given by the sailor maps the Kenyan coast, particularly Mombasa, as a critical node of the global economic network in the Indian Ocean world. His recounted itineraries construct the sea as an open, navigable space, that belongs to no one in particular. In addition, the ease with which sea spirits found in the fisherman’s testimony move, and the fluidity of the space they move in and occupy, challenges the rationale behind the erection of boundaries in the seas. From the oral poems, Kosgei reflects on how communities at the Kenyan coast use sung poetry as a tool for the preservation of the sea. The poems offer a prompt for understanding ecological threats facing the ocean, and for appreciating and utilising local beliefs and customs in favour of its protection

Congrats to Prof Mwangi!!!!

Congratulations to Evan Maina Mwangi (PhD University of Nairobi), Professor of English and Director of Graduate Studies in the Comparative Literary Studies Program at Northwestern University, and Professor Extraordinaire in the English Department of Stellenbosch University. Kudos on the publication of his most recent monograph, The Postcolonial Animal: African Literature and Posthuman Ethics (Michigan, 2019). This volume examines the interface of critical animal studies and postcolonial literature to bring to the fore the vegan impulses in African writing. He demonstrates that these vegan motivations and affects are not a copy of western practices but draw from indigenous sources. His primary texts in this book include African folktales, religious texts, philosophical materials, and work by anti-colonial movements, as well as postcolonial and other literary sources which the authors have repurposed to call for the ethical treatment of non-human others and sexual minorities. By including work by East African writers such as Rebecca Nandwa, Nuruddin Farah, Henry ole Kulet, and Yuda Komora in its study of the figure of the animal in African literature, the book seeks to debunk the implied belief, in critical animal studies, that only white African writers (exemplified by J.M. Coetzee) have been attentive to the animal question. See more at

Congratulations Tina Steiner, Mhlobo W Jadezweni, Catherine Higgs, Evan Mwangi & Cecil Wele Manona

Congratulations to Prof Tina Steiner, to SU Prof Extraordinaire Evan Mwangi of Northwestern, and to other members of the editorial team on the publication by Wits University Press of DDT Jabavu’s travelogue In India and East Africa / E-Indiya nase East Africa, in isiXhosa and English. The book represents a long, even labyrinthine, journey for the editors, across institutions, languages, cultures, continents, mediating between the politics of the past and the claims of the present. In re-rendering Jabavu’s experiences and voice, it offers a very important and unusual contribution to the field.” (See the cover and info. Attached.)

In India and East Africa / E-Indiya nase East Africa
A travelogue in isiXhosa and English

D.D.T. Jabavu
Translated by Cecil Wele Manona
Edited by Tina Steiner, Mhlobo W. Jadezweni, Catherine Higgs and Evan M. Mwangi

A remarkable travelogue by one of South Africa’s greatest intellectuals, DDT Jabavu, this book opens new vistas on Indian Ocean histories. Available for the first time in isiXhosa and English, this historical gem enriches our sense of the scope and scale of South African letters.
—Isabel Hofmeyr, Global Distinguished Professor, New York University and Professor of African Literature, University of the Witwatersrand, Johannesburg

A significant figure in Cape African politics at that time, and a renowned academic from Fort Hare University, Jabavu’s expressive account of this trip weaves together a myriad of encounters with people he already knew, and those he would meet on his journey from the
Eastern Cape to India, via the East African coast. One can only marvel at how the editors have re-enlivened Jabavu’s account of his epic 1949 journey – a rousing read!
— Luvuyo Wotshela, Professor and Head of the National Heritage and Cultural Studies Centre, University of Fort Hare

In November 1949 D.D.T. Jabavu, the South African politician and professor of African languages at Fort Hare University, set out on a four-month trip to attend the World Pacifist Meeting in India. He wrote an isiXhosa account of his journey which was published in 1951 by Lovedale Press. This new edition republishes the travelogue in the original isiXhosa, with an English translation by the late anthropologist Cecil Wele Manona.
The travelogue contains reflections on Jabavu’s social interactions during his travels, and on the conference itself, where he considered what lessons Gandhian principles might yield for South Africans engaged in struggles for freedom and dignity. His commentary on non- violent resistance, and on the dangers of nationalism and racism, enriches the existing archive of intellectual exchanges between Africa and India from a black South African perspective.
The volume includes chapters by the editors that examine the networks of international solidarity – from post-independence India to the anti-colonial struggle in East Africa and the American civil rights movement – which Jabavu helped to strengthen, biographical sketches of Jabavu and of Manona, and an afterword that reflects on the historical and political significance of making African-language texts available to readers across Africa.

Publication support for this project was generously awarded by the AW Mellon Foundation as one of the initiatives of the Consortium of Critical Theory Programs and the Humanities and Social Science Research Grant from the University of British Columbia, Okanagan Campus.

Congratulations to our Professor Extraordinaire, Gabeba Baderoon!

At the 2019 Media24 Books Literary Prizes bestowed in Cape Town on 13 June – awards which recognise the best work published during the previous year by Media24 book publishers – Gabeba scooped the Elisabeth Eybers Prize for Afrikaans and English poetry for The History of Intimacy, published by Kwela Books. 

The judges were impressed by the controlled lyricism and calm maturity of the poems in the collection: “The work depicts the transitions of Baderoon’s world, herself a figure of transit, and does this in a grammar that relies mainly on the strength of its images. It is a book of technical ease and linguistic subtlety of a high order.”

The English Department again had the pleasure of congratulating Prof Gabeba Baderoon on the shortlisting of this poetry collection The History of Intimacy for the 2019 University of Johannesburg Prize, in the Main Prize Category. Read the report by the Johannesburg Review of Books.

Otherwise Occupied: Poetry collection book launch

The English Department celebrates its Chair’s new poetry collection titled Otherwise Occupied (Dryad Press), launched at Exclusive Books in Cavendish on the 10th April. Sally-Ann Murray’s poetry is described as serious, playful and outrageous. According to the publishers, “Murray draws inspiration from contemporary women’s experimental poetics, inflecting poetry’s familiar inner speech with the sounds and shapes of found materials and engaging cultural noise. In Otherwise Occupied, the poem becomes otherwise under innovative necessity and performative exploration .” These inflections were further explored in a conversation with the poet and critic Joan Hambidge.

Joan Hambidge’s conversation with Sally-Ann offered insights on her process and views on poetry, some of which follow below.
How does she juggle the roles of mother, wife, head of department, academic, poet and novelist? To this, Sally-Ann responded that it would be a mistake to think she could do it all, and added that she honours her creativity by being a list-maker and box-ticker in the pursuit of deadlines.
Does her preference lie more with poetry or with writing novels? Initial aspirations were towards poetry, but she later came to the view that creativity ought to be freed, that intellectual creativity and intellectual rigor are not mutually exclusive.
Influences? Always indirect, but she is mostly influenced by female experimentalists who bring conceptual innovation into play with affective voicing: Anne Carson, Denise Riley, Kathleen Fraser, Lyn Heijinian…
Poetry as testimonial? There is never direct correspondence between the the poem and the poet’s life. Sally-Ann’s poetry reacts to traditional confessional poetry, but she anyway thinks ‘confessional poetry’ is a misnomer.

The conversation also veered to how insomnia can be a perversely regenerative space, during which Sally-Ann performs any number of non-academic activities, including sewing dishcloths out of fabulous fabric, or reading until she sleeps.

Postdoctoral Fellowship

R220 000 awarded for one year. Possible extension for a second year, depending on availability of funds, and research outputs.

Host: Dr Mathilda Slabbert, Department of English, Stellenbosch University
Project Title: Exploring the Archive: South African Women’s Life Writing (19th century to the present)

Scope of Research: The proposed project aims to recover elements of South African women’s life writing, focusing on material in archives and recently published life narratives. Working to overcome restrictive and masculinist interpretative frameworks, the research will contribute to recognising the complexities and diversity of women’s subjectivities and identities in South Africa, past and present. In particular, the project investigates the diverse ways in which female subjectivity is written into varied form by under-explored, marginalised or forgotten South African women. The project also investigates what these existing scholarly responses to these writings reveal about the methods and frameworks employed to reflect on women’s identities, sexualities, and socio-political affiliations, with particular attention to discourses currently defined as lesbian and/or feminist.


  • PhD (obtained not more than five years ago).
  • Evidence of accredited publication
  • A research focus that closely intersects with the field of study outlined above
  • Proven ability to conduct archival research.
    -The Postdoctoral research fellow will be expected to write at least two accredited research output units for the year, and to participate in undergraduate elective teaching.
    -The candidate will enjoy selected opportunities for career development, such as: co-supervision; participation in the administration of the IABA Africa Chapter; and co-mentoring of the Queer Reading Group.

  • Postdoctoral research fellows are not eligible for employee benefits since they are registered as fellows and their bursaries are awarded tax free.
    The closing date for applications is the 31 May 2019

    Please send your CV and a project proposal of no more than a page to Mathilda Slabbert:

Bonjour de Paris! A quick snippet on life (exchanged) in France so far

Thanks to the English Department’s invitation to take up an international exchange opportunity at the Université Paris-Est Créteil, I am suddenly living about 13km outside Paris. Surreal. Never more so than when I find myself exiting a train station and coming face to face with Notre Dame when I’m actually just on my way to the bank. How everyday life for the locals continues uninterrupted is beyond me – I constantly find myself stopping to snap a photograph of one marvel or another.

Carron enjoying the Musée d’Orsay

Since my arrival, I have also been noticing people, especially those who at some point are likely to have felt, like me, a sense of their foreignness in this space. My landlords in Villeneuve-le-Roi are from Iran. At the épicerie de la Gare down the street from my house, the owner and I exchange broken pleasantries in a mixture of English, French and Arabic. At UPEC I have begun to make friends from all over the world: Lithuania and Bulgaria, Italy and Germany, Algeria, the Ukraine and beyond. Already, I am the richer for the opportunity to be a foreigner in France, to experience the diversity of the country’s inhabitants, their origins, and the languages they speak. I am especially privileged, in my position as exchange student, not to be alone in these experiences. Like many of my classmates, this is my first time living a life abroad.  My learning began the moment I set foot on the plane departing Cape Town and while the curve has sometimes been steep (and my French remains atrocious), this semester abroad will bring horizons I’d never dared imagine.