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Legacy Celebration Concert

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The Stellenbosch University Jazz Band held a Legacy Celebration Concert on 11 May to celebrate two heroic South African icons – Nelson Mandela and Hugh Masekela – as part of the institution’s centennial celebrations. The Fiesta Award winning SU Jazz Band, one of the ensembles of the Music Department’s Certificate Programme, took centre stage under the direction of Felicia Lesch with esteemed vocal soloists Sima Mashazi, Babalwa Mentjies and Mynhardt Kruger.

The evening was specifically dedicated to launching the new Social Impact initiative of the Music Department under it’s new umbrella name Roots@SU. Roots@SU encompasses a network of programmes and projects that the Music Department is involved with through the Certificate Programmes, Rural Engagement Programme, Service Learning Programme, Stellenbosch International Chamber Music Festival, Endler Concert Series and many off-site partnership programmes. Special guests for the concert included SU Music Department community partners from areas such as Mitchell’s Plain, Athlone, Kuilsriver, Khayelitsha, Ceres, Mamre and Cloetesville. One of the highlights of the evening was when some of the learners from these community projects joined the SU Jazz Band on stage to perform Abdullah Ibrahim’s Nelson Mandela. Impressively, the kids stood up to take solos, much to the delight of the audience.

The evening also served as the launch event of the partnership between Stellenbosch University Music Department and the e’Bosch Heritage Project. Representatives from e’Bosch attended from the communities of Cloetesville, Idas Valley, Jamestown, Khayamandi, Klapmuts, Pniel, Kylemore, Raithby, Vlottenburg and Stellenbosch Central as well as music teachers and school principals from these communities.

Many of the songs performed were either composed by Masekela, such as Grazin in the grass and Thuma Mina (Send me) or powerful struggle songs such as Mayibuye. As the evening came to an end, the audience collectively danced to the well-known struggle song, Meadowlands as a tribute to Masekela, Mandela and all who wish to play a part in building a society of our dreams.

Talented young pianists to participate in Hennie Joubert National Piano Competition

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A group of nine talented young South African pianists will participate in the 2018 Hennie Joubert National Piano Competition, starting on Monday 12 March. Presented as part of the Stellenbosch International Piano Symposium, the competition is one of the most prestigious platforms in the country for young pianists.

The biennial competition, presented at the Stellenbosch University (SU) Konservatorium, was started in 1984 with Virginia Fortesque, Bennie van Eeden and Cecilia Lourens as judges, and many of the finalists have gone on to become well-known musicians. Recent former winners include Louis Nel (2016), Roelof Temmingh (2014) and Sulayman Human (2012).

This year, nine finalists have been selected as competition participants. The initial rounds will be held on Monday 12 March and Tuesday 13 March. Thereafter the judges will select five pianists to compete in the finals on Friday 16 March. Each of these five finalists will perform a movement from a piano concerto with the Cape Town Philharmonic Orchestra, conducted by Corvin Matei.

The nine 2018 finalists are Qden Blaauw (13) from Durbanville, Beate Boshoff (16) from Bethlehem, Daniel Brodie (18) from East London, Leo Huan (14) from Pretoria, Gerhard Joubert (17) from Stellenbosch, Andrew Raney (16) from Johannesburg, Milano Reynecke (15) from Pretoria, Mike Wang (11) from Cape Town, and Simon Wu (17) from Cape Town.

Louis Nel (17), the most recent winner, says receiving the first prize in 2016 was a great moment in his life. “I was quite surprised because, at 15-years-old, I thought that I was too young and inexperienced for the competition. Many of the competitors had the experience of participating in previous years, and you never know how well they have progressed.”

For Louis, who hails from Pretoria, the most enjoyable part of the competition was preparing his concerto for the finals with the Stellenbosch University Symphony Orchestra. “It was also great to get to know the other competitors. Also, I learned such a lot from the master classes that was presented by the Stellenbosch International Piano Symposium.”

As part of his prize, Louis gave a piano recital in Wellington. “This was very special for me. The competition has taught me that you should never underestimate yourself, and it helped me to improve my standard of playing and to be more at ease on stage,” says Louis.

He won a total of R22 000 in prize money, as well as three recital engagements.

First held in 2006, the Stellenbosch International Piano Symposium will run from 14 to 18 March at the SU Konservatorium, following the Hennie Joubert Competition. It brings together teachers, performers and students for a programme consisting of recitals, master classes and lectures. This year, three internationally acclaimed pianists – South African Jan Hugo, Israeli Aviram Reichert and the Russian-born German Jura Margulis – will be the guest artists of the Symposium.

The three pianists will each give a recital in the Konservatorium’s Endler Hall. Hugo will perform music by Beethoven, Debussy and Liszt on Wednesday 14 March; Reichert will play works by Brahms and Schubert on Thursday 15 March; and Margulis performs a programme of works by Scarlatti, Tchaikovsky and Rachminoff on Saturday 17 March.

  • Concert tickets are available from Computicket. Symposium passes can be purchased on the Symposium website, pianosymposium.co.za. The full Symposium programme is also available on the website, or call 021 808 2358 for more information.

Stellenbosch Symposium brings together pianists from across the world

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Three acclaimed pianists will be the guest artists at the seventh Stellenbosch International Piano Symposium, which will be held from Monday 12 March to Sunday 20 March 2018. The biennial Symposium, presented by Stellenbosch University (SU) at the Konservatorium, has as its goal to promote piano teaching and performance.

The Stellenbosch International Piano Symposium, first held in 2006, provides teachers, performers and students with a platform for performance, education and the sharing of knowledge. The weeklong programme consists of recitals and master classes, a series of lectures, as well as a national piano competition.

This year, guest artists South African Jan Hugo, Israeli Aviram Reichert and the Russian-born German Jura Margulis will each give a piano recital during the Symposium. Reichert and Margulis will also present master classes at the Symposium.

Born in 1991, Hugo studied at the Hochschule für Musik in Leipzig, Germany, as well as in Italy. Most recently, in 2017, he was a semi-finalist in the Liszt International Piano Competition in Utrecht. For his Symposium recital on Wednesday 14 March, Hugo will perform works by, among others, Beethoven, Debussy and Liszt.

Reichert, praised for his intelligent interpretations, technique and tone, have won several major competitions in the Far East, France and Germany. He is a frequent soloist with the leading orchestras in his native Israel. On Thursday 17 March, Reichert gives a recital that includes works by Brahms and Schubert.

The final recital on Saturday 19 March will see Margulis performing a programme of works by Scarlatti, Tchaikovsky and Rachmaninov. Margulis has been internationally recognised for his compellingly communicative and emotional performances, as well as for the range of his tonal palette and his consummate virtuosity.

On the last evening of the Symposium, the popular Piano Extravaganza will be held, in which ten pianos and ten pianists will be on the Endler Hall’s stage.

“We are looking forward to a great 2018 Symposium. Lovers of piano music will get to hear great artists in our three special recitals, while piano teachers and students can learn and share knowledge in an environment where we all have the same passion,” says acclaimed pianist and SU piano lecturer, Prof Nina Schumann.

This year, about 50 piano students, ranging between the ages of 11 and 28, will attend the Symposium, as well as approximately 50 observers from across South Africa. Some of the student participants also perform in lunch-hour concerts.

The Symposium also presents the biennial Hennie Joubert National Piano Competition. This competition was started in 1984 with Virginia Fortesque, Bennie van Eeden and Cecilia Lourens as judges. Some of South Africa’s foremost pianists count among the finalists.

Recent former winners include Louis Nel (2016), Roelof Temmingh (2014), Sulayman Human (2012), and Dr Grethe Nöthling (2000), who will present a lecture at this year’s Symposium.

On the first two days of the Symposium, 12 and 13 March, competition participants will compete for the five finalist positions. These five pianists will then perform in the finals on Friday 18 March with the Cape Philharmonic Orchestra under the baton of Corvin Matei. Each of the finalists will play a movement from a piano concerto.

  • Concert tickets are available from Computicket. Symposium passes can be purchased on the Symposium website, pianosymposium.co.za. The full Symposium programme is also available on the website, or call 021 808 2358 for more information.

Jose Dias

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josedias351@gmail.com

Portuguese-born José Dias is a regular presence in all major concert halls and Arts Festivals in South Africa. In recent seasons, international performances have taken him to Portugal, Mozambique, Israel, Switzerland, Belgium, Austria, including extensive tours of the Netherlands and Germany, with repeated appearances in such historic halls as the Berliner Philharmonie, Münchner Philharmonie, Beethovenhalle in Bonn, Baden-Baden Festspielhaus, among many others.

José is in high demand as soloist, chamber musician and vocal accompanist and coach, and has also been the musical director of Cape Town Opera’s internationally acclaimed touring productions African Angels and African Passion, as well as Biblioteek Productions’ operatic productions such as Poskantoor, La Voix Humaine and The Recycled Magic Flute. Recently he also wrote new music and took the musical direction of Piekniek by Mpande, a modern day reimagining of the seminal Afrikaans protest cabaret Piekniek by Dingaan as well as the 2019 Fleur du Cap Awards Ceremony, at the Artscape Opera House. These productions and his involvement therein, have made him the recipient of several awards, from festivals such as Woordfees, KKNK, Aardklop, as well as Fiësta and Fleur du Cap Awards.

He was co-creator and curator of the RISE concert series in collaboration with the Cape Philharmonic Orchestra – a platform for the display of young SA classical talent – and is also an avid supporter of contemporary music, having premiered several works by composers such as Hendrik Hofmeyr, Alexander Johnson and Conrad Asman. Many of these (some written especially for him) have been recorded and are available on CD.

Elna van der Merwe

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elna@topshell.co.za

Elna van der Merwe was a fulltime accompanist and part-time piano lecturer at the Conservatory of the University of Stellenbosch until 2001. Since then she is an ad hoc pianist and sought- after collaborative artist for local as well as international artists such as Michell Breedt (mezzo soprano), Douglas Masek (Saxophonist), Maria Kliegel (cellist), Susan Milan (flautist).

Ms van der Merwe studied piano and organ at the University of Stellenbosch , she won several awards, stipendiums and competitions. She performed as soloist with various national orchestras.

Local instrumentalists and singers with whom she regularly performs are Zanta Hofmeyr, Zanne Stabelberg, the South African Sopranos, Niel Rademan, Maria du Toit, Liesl Stolz, Peter Martens, Suzanne Martens. In May 2011 she performed as collaborative pianist with Zanta Hofmeyr in Malta. She also accompanied the Libertas choir on their tours to Belgium and the USA.

She has been awarded by Samro in gratitude and recognition for excellent service in accompaniment in the Overseas Scholarship Competitions. As accompanist she has appeared in all the Unisa International singing-, strings- (since 1990) and recently the flute and clarinet competitions.

As multi talented pianist she has played in two piano arrangements with Zorada Temmingh as part of the Blondes in all the major festivals in South Africa. In 2011 The Blondes performed in Israel and London.

She has recorded many Cd’s and Dvd’s with different artists and served on several music competition panels as adjudicator.

Philippus Hugo

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Philippus Hugo obtained the degrees BMus, BMus (Hons) and MMus (cum laude) in piano at Stellenbosch University under Juliana de Villiers. He made his solo debut with the Cape Philharmonic Orchestra (CPO) at the age of sixteen and performed several times with the CPO, Natal Philharmonic Orchestra and the Stellenbosch University Symphony Orchestra during his student years.

In 1992 he was appointed as an official accompanist at the Hugo Lambrechts Music Centre. After 5 years he accepted a position as a music teacher at Rustenburg Primary School and in 2001 he was appointed as accompanist at Stellenbosch University, where he is still employed.

He has been one of the official accompanists at the ABSA National Competition for high school learners since 1994 and appears regularly as accompanist at the Sanlam Primary School Competition, ATKV Musique, Artscape Competition and Unisa Overseas Scholarship Competition, as well as freelance accompanist at several national festivals like Klein Karoo Klassique (KKK), Darling Voorkamerfees, Die Vryfees, Fynarts Hermanus Festival and Greyton Genadendal Classics For All. From 2012 until 2015 he served as official accompanist for the ATKV Muziqanto competition.

In 2011 he was asked to perform at the Maputo International Music Festival with the American singers Kennethia Mitchell and Lawrence Craig Jr. He was also invited to participate in the Harare Music Festival that took place in Zimbabwe in September 2012. Philippus returned to Maputo in May 2014 as guest artist during their classical music season, where he was responsible for accompanying singers and instrumentalists. For the 2016 Maputo International Music Festival he acted as compiler and accompanist of two opera performances with local singers and the Maputo Youth Choir.

Since 2013, he was appointed by the ATKV as program compiler and coordinator of the concerts during which the respective winners of Muzique and Muziqanto have to perform as part of their winning status. These include the Gala Concert as part of the Greyton Genadendal Classics for All, 2014 and 2016 US Woordfees, Oude Libertas Concert Series, Nederburg and La Motte’s concert series, and the soirées during the Sandton Summerplace Concert Series. He was also responsible for the compilation and accompaniment of the 2013 to 2015 KKK opening concerts. Philippus, with Minette du Toit-Pearce and the US Percussion Duo, was nominated for a KykNet Fiesta for best classical concert during a national arts festival for the 2013 KKK opening concert.

Philippus was approached by Unisa to act as examiner. He was appointed as adjudicator at the George Loerie Eisteddfod in 2014 and 2016, as well as the Riversdale and Tygerberg eisteddfods. In 2016 he acted as adjudicator of the piano section at the Stellenbosch Eisteddfod. He is also an accomplished chef and co-owner of the restaurant Driefontein and 254 Catering in Caledon in the Overberg.

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