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Mario Nell

By Church Music

mdn@sun.ac.za

Acknowledged as one of South Africa’s leading musicians and teachers, Mario Nell is a senior lecturer at the University of Stellenbosch. He studied at the Universities of Port Elizabeth and Stellenbosch before he completed his Masters degree in performance at the University of Cape Town and a PhD at the University of Stellenbosch. Also holding a UPLM from Unisa, he was the winner of the Unisa Overseas Music Bursary Competition. From 1999-2001 he furthered his studies at the Staatliche Hochschule für Musik in Freiburg, Germany. From 2006-2007 he also studied for his Nachdiplom at the Zurich University of the Arts in Switzerland where his main focus was on historical performance practice.

He won first prizes in all the major music competitions in South Africa. This includes the National Youth Music-, ATKV Prelude and Forte-, Mabel Quick-, Oude Meester- and Unisa Overseas Music Competitions. During his periods of study abroad he also distinguished himself in several important international competitions including a top prize at the Calgary International Competition with performances in Germany and Hong Kong.

Since he made his debut with the SABC Orchestra in 1993, he has appeared as soloist with all the major orchestras in South Africa. Since 1999 he gave recitals in Germany, Switzerland, France, the Netherlands, Czech Republic, Italy, England and South Korea. He was also invited as guest professor at the national University of the Arts in Seoul, South Korea, in 2002 and 2003.

Besides a busy performance schedule as soloist, accompanist and chamber music musician, he is an active teacher and his students has been the overall winners of all the major music competitions in South Africa, eg the Sanlam-, Artscape-, Artstrust Piano-, Mabel Quick-, Samro -, Grahamstown National-, Unisa National Organ-, ATKV Muziq and Unisa Overseas Music Bursary Competitions. From 2010-2014 he received the University of Stellenbosch Rector’s prize for excellence as teacher. He is often invited to give masterclasses and as juror for music competitions and serves as examiner for Unisa music examinations.

Pieter Grobler 

By Chamber Music

Pieter Grobler is an Associate Professor of Piano at Stellenbosch University, where he lectures in piano performance, chamber music, vocal accompaniment and repertoire studies. He has been described as a performer with “finesse, sensitivity and a flawless sense of the classical style” (The Star, Johannesburg, South Africa). He worked with Joseph Stanford at the University of Pretoria. Postgraduate studies were with Joseph Banowetz, at the University of North Texas (UNT) in the USA, where he completed the MM and DMA piano performance degrees. During his tenure at UNT he regularly attended lessons with the Polish pianist: Adam Wodnicki, as well as Elvia Puccinelli and Harold Heiberg.

Pieter maintains an active concert profile, both as solo and collaborative artist. In addition to performances across South Africa he has performed in the USA, Canada, Europe and China. Noteworthy amongst these appearances was a live radio broadcast of a solo piano recital as part of the Dame Myra Hess Concert Series hosted at the Chicago Cultural Centre, a number of South African tours, and numerous appearances with duo partner, the violinist Annette-Barbara Vogel: both in Canada and South Africa.  As an accomplished Lied pianist he regularly collaborates with colleagues across the country.  Pieter is a familiar face to Stellenbosch audiences and has performed numerous South African premieres of works, the most noteworthy being Alexander Johnson’s 3 Incantations for Piano (dedicated to him), Peter Klatzow’s Sonata for Cello and Piano with cellist Peter Martens, and Bongani Ndodana-Breen’s Safika – Three Tales of African Migration.

His interests in postgraduate supervision have centered around topics in analysis, pedagogy, repertoire studies and historiography as applicable to practical musicianship.  Pieter Grobler regularly acts as adjudicator and examiner throughout South Africa and is the organiser and chairman of the jury for the Hennie Joubert Piano Competition, held bi-annually as part of the Stellenbosch International Piano Symposium. He has taught and performed in its sister project, the Stellenbosch International Chamber Music Festival since 2011.  In addition to his music activities, he has served as chair of the Stellenbosch University Department of Music.

Links:

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Supervision:

Karin Maritz

By Chamber Music

km2@sun.ac.za

Karin Maritz lectures in recorder, chamber music, teaching didactics, music education and business ethics on undergraduate as well as post-graduate level.

Her initial impetus came from teacher Thelmay Linde and Irmgard Winkler-Haller, who inspired her to follow a career in music. She studied recorder (BMus solo performance) with conductor and composer Dr Paul Loeb van Zuilenburg at Stellenbosch University. At Stellenbosch, she also studied flute with Dianne Mitchell-Baker and classical guitar with Dietrich Wagner. At Unisa, she studied with Prof. Niel Geldenhuys and obtained her licentiates in recorder.

Having played instruments from both the brass- and woodwind families, she chose to pursue a career as a recorder specialist. She had a very active career as solo performer, did many recordings for the SABC which were broadcasted regularly. Her initial career spanned three schools as well as the University of the Western-Cape, before she was appointed at Stellenbosch University.  Initially more well-known and active as a guitar accompanist, she gradually started to focus more specifically on recorder as a speciality field as well as in Baroque historical performance and the art of ornamentation.  The recorder department at the Department of Music currently hosts arguably the largest number of students specialising in the instrument in the country, either as soloists or in ensemble and/or chamber music context.  Some of her past students have pursued their studies and careers in Europe and America as successful soloists and/or chamber music musicians and teachers.

Karin is a well-known adjudicator at eisteddfods and music events around the country. She is also a regular presenter of workshops and master classes with specific focus on performance practice, chamber music, Baroque ornamentation and the French Baroque style in general. She is also a Unisa music examiner.

She obtained her MMus degree cum laude in 2002 at Stellenbosch, with specific emphasis on the methodology, interpretation and performance of the French Baroque style.

Corvin Matei

By Chamber Music

corvin@sun.ac.za

Conductor, Flute player and esteemed teacher, CORVIN MATEI is Professor of Flute and Conducting at the Stellenbosch University. He is the founder and Music Director of the Cape Town Concert Orchestra and the Music Director of the Stellenbosch University Symphony Orchestra.

Born in Romania, he studied at the Bucharest Conservatoire of Music graduating with a Masters in Flute performance. During his studies he also attended orchestral conducting courses and master classes with prominent Romanian conductors and participated in international festivals in Germany (including Bayreuth), Czechoslovakia, Bulgaria, France, Spain and Italy.

After graduating, Matei auditioned and was appointed at the “G. Enescu” Philharmonic Orchestra, where he played for seven years under conductors such as Celibidache and Mazur, amongst others. During his seven years with this orchestra he also appeared as soloist with other leading orchestras in Romania, and he became more interested in conducting attending Witold Rovitscki’s Summer Master Classes in Vienna, and Sergiu Celibidache’s Master Class in Bucharest. He also recorded intensively for Romanian Radio-Television, and was awarded first prize in the Romanian National Competition in 1976 and 1983.

After leaving Romania in 1983, he studied conducting with Professor Erich Kluge form the Cologne Conservatoire and performed both as soloist and conductor with the Cologne Chamber Orchestra during their tour to Southern France.

In 1985 Corvin Matei was appointed Principal Flute of the Cape Town Symphony Orchestra where he played for twelve years. During this period he also performed in solo concerts with the Cape Town Symphony Orchestra, the CAPAB Chamber Orchestra and the Bloemfontein Symphony Orchestra. In 2001, for over a year he played Principal Flute with the new Cape Philharmonic. He has also recorded for the SABC, and his first CD, Music for Flute and Harp has proved to be a great success. In the same year he was awarded a PhD by the University of Cape Town.

From 1997, after studying with Bernard Gueller (one of Celibidache’s best students), Matei has started a busy conducting schedule. In South Africa he conducted the Johannesburg Philharmonic, The Cape Philharmonic, The Stellenbosch University Symphony Orchestra (which in 2004, under his direction won the category of best symphony orchestra among 46 orchestras at the prestigious Tygerberg Competition), the Cape Sinfonia, The Beau Soleil Symphony Orchestra (from 2001 till 2004 he was Head of Woodwind Department at Beau Soleil Music Centre) and the Sans Souci Orchestra (the orchestra, under his direction was awarded the coveted SAMRO Trophy in the 1999 Eisteddfod).

In 2004 Dr Matei was appointed at the Music Department of Stellenbosch University Department of Music, and Music Director of the symphony orchestra. In the same year, he started his international career as a conductor, when he was invited to conduct three of Romania’s leading professional orchestras. Since then he has been conducting all major Romanian orchestras, as well as orchestras in Ukraine and Bulgaria. At present Corvin Matei has a busy conducting schedule in South Africa and abroad.

Suzanne Martens

By Chamber Music

martens@sun.ac.za

Suzanne Martens studied at the University of Pretoria under Prof Alan Solomon where she obtained the BMus Performers and BMus Honours degrees, both cum laude. She furthered her studies in Holland under Jan Repko (Academie Minerva, Groningen) and in Austria under Lavard Skou-Larsen (Mozarteum, Salzburg), where she was a member of the Salzburger Musici Chamber Orchestra. She has subsequently obtained a MMus (cum laude) in chamber music from the University of Stellenbosch, and is currently enrolled for a DMus at the University of Pretoria.

Suzanne’s first exposure to ensemble and orchestral playing was at the hand of the late Betty Pack. Later she was a member of Harmonia Juventia as well as Pro Musica, under the batons of Alan Solomon and Weiss Doubell respectively. As a student she was concertmaster of the UP Symphony Orchestra and the National Youth Orchestra. Suzanne has been awarded several prizes, including the University of Natal 75th Anniversary Prize (1988) and the overall first prize in the ATKV Forté Competition (now the Musiq competition) in the same year. In 1991 she was part of the winning trio in the Oude Meester Chamber Music Competition. She was awarded academic colours at university.

Apart from performing as a soloist with all the major orchestras in the country, Suzanne is an active chamber musician who has appeared in different ensembles including the Rosamunde Quartet, the Allegri Trio, Schwietering Quartet, Lyric Trio, the Amici Quartet and the original Quartet of Peace. With these ensembles she has performed at various festivals in Southern Africa, working with acclaimed artists such as Leslie Howard, Juliette Bausor and Steven Prutsman. Suzanne has also worked with pianists Nina Schumann, Luis Magalhaes, Pieter Grobler, José Dias and Elna van der Merwe as part of piano duos and trios.

From 1994-2000 Suzanne was Associate Concertmaster of the New Arts Philharmonic Orchestra Pretoria, and a founder member of the Chamber Orchestra of South Africa. She was concertmaster of the Cape Philharmonic Orchestra in 2001/2002 and since 2005 she acts as guest concertmaster for approximately half of every symphony season, working with conductors such as Arjan Tien, Bernhard Gueller, Yasuo Shinozaki and Jonas Alber. She is an ad hoc member of Camerata Tinta Barocca, for which she plays Baroque violin.

Suzanne was appointed at the University of Stellenbosch in 2002, and is currently senior lecturer in violin. Together with cellist Peter Martens, she leads the Stellenbosch Camerata, and is also coordinator of Chamber Music at the US Department of Music. She is a faculty member at the annual Stellenbosch International Chamber Music Festival, and has also been a faculty member at various other chamber music festivals. She has served on the jury of the Artscape Youth Music Competition several times and has acted as external examiner for the Universities of the Free State and Pretoria. She is also frequently asked to adjudicate eisteddfods. Where possible, Suzanne tries to encourage her students to further their studies and musical experience abroad.

Bennie van Eeden

By Chamber Music

bhve@sun.ac.za

Bennie van Eeden obtained the Teacher’s Diploma, BMus and HonsBMus degrees cum laude from Stellenbosch University, having passed all his UNISA piano examinations with distinction.  As a student he received numerous prizes and awards, most notably the FAK Music Bursary (twice), the Conservatoire Stipendium and a Merit Award for the best overall fourth year student at the university.  He also obtained the LTCL and UPLM diplomas. He taught at the Wellington Teachers’ Training College for ten years, and since 1988 has been appointed as lecturer in Piano and Piano Literature at Stellenbosch, filling the post of his erstwhile teacher, Betsie Cluver.

Bennie also studied with some of South Africa’s foremost pianists and teachers, viz. Lamar Crowson and Laura Searle (UCT) and John Antoniadis (US), under whose guidance he completed the practical component of the MMus in Piano Performance.  He participated in international piano competitions in Bolzano and Pretoria. He has also acted regularly as Faculty member at several International Piano Symposia and the International Chamber Music Festivals in Stellenbosch.

A versatile musician, performer and experienced teacher, Bennie is also known for his solo en chamber music performances, especially as member of the highly regarded Collage and Taffanel ensembles, to whom trio’s by South African composers Hendrik Hofmeyr and Alexander Johnson have been dedicated.  He has also accompanied some of South Africa’s foremost singers, including Marita Napier, Nellie du Toit, Aviva Pelham, Sabina Mossolow and André Howard, and international singers such as the Dutch soprano, Julia Bronkhorst.

He has been featured on the SABC and regularly performs at major art festivals around South Africa.  He is a founder member of the Hennie Joubert National Piano Competition and has since been involved in adjudicating and organizing this prestigious event.

Alistair McDonald

By Brass

alimcd@sun.ac.za

Alistair McDonald’s professional life has largely been in the service of the symphony, opera and ballet orchestras in South Africa, spanning some 30 years in the former CAPAB, the Cape Town Symphony and Kwazulu Natal Philharmonic orchestras. He joined the full-time teaching staff at the South African College High School in Cape Town in 2006, primarily as brass-instrument teacher and ensemble coach for the concert and jazz bands. In 2011 he was appointed at the Music Department, Stellenbosch University, where he teaches trumpet students enrolled in undergraduate studies. In addition, he teaches community musicians, as well as bandsmen from the SANDF as well as SADC military bands enrolled in the Certificate Programmes in Music Literacy at the Stellenbosch and SA Army Band, Cape Town campuses.  He continues to perform on an ad hoc basis with the national orchestras as well as numerous local orchestras. He believes that musicians should be musicians for as long as they are willing and able.

Lee-Roy Simpson

By Brass

simpson_leeroy@yahoo.com

Lee-Roy Simpson’s formative music training started in the New Apostolic Church at the age of 12, on recorder. During the course of his secondary school education, he enrolled at the Beau Soleil Music Centre where studied trombone with Pamela Kierman and Nick Green and was principal trombonist in the Senior Symphonic Wind Band and Stage Band.
He initially studied commerce at Stellenbosch University, but changed to music after attending the 2005 Stellenbosch International Chamber Music Festival. On completion of the Advanced Certificate in Music Literacy, Lee-Roy enrolled for a BMus specialising in Chamber Music performance, which he completed in 2009. He continued with post graduate music studies and completed a BMus Hons in Repertoire Studies, specialising in tenor and bass trombone, and tuba in 2010.
During the course of his music studies he attended numerous music course and festivals and toured to Germany and Austria with the MIAGI orchestra in 2009.   He was also a member of the South African National Youth Orchestra and attended the Grahamstown International Jazz Festival in 2011 where he performed as a member of the North Sea Alumni Big Band.
As a chamber musician Lee-Roy has performed with many brass ensembles around the Western Cape on bass trombone and tuba. He is a member of the T-bone Trombone Quartet which won a category prize in the National Ensemble competition in both 2012 and 2014.  As an ad hoc trombonist Lee-Roy has played with many orchestras in South Africa, mainly on bass trombone and tuba. These include the University of Stellenbosch Symphony Orchestra and Symphonic Wind ensemble, The Namibian Symphony Orchestra, the Con Spirito Symphony Orchestra, WindWorx Symphonic Wind Ensemble, Cape Town Symphony and Kwazulu-Natal Philharmonic orchestras.
Lee-Roy enjoys teaching, and currently instructs brass students, on a part-time basis, at Bridgehouse (Franschoek), Bellville High School, Wynberg Boys’ Primary School and Kronendal Music Academy,  Hout Bay, a community music school. He was appointed as a part-time lecturer at Stellenbosch University in 2012 to teach trombone, euphonium and tuba undergraduate brass students and military bandsmen from the SANDF and SADC bands enrolled in the Certificate Programmes in Music Literacy at the satellite campus at the SA Army Band, Cape Town.

Sean Kierman

By Brass

Sean Kierman was born in Portland, Oregon, educated in China, Pakistan, India and the United States of America, completing his BA at Antioch University in Ohio, USA. He pursued post-graduate studies at Wits University from 1966 – 67, whilst playing French horn with the SABC Symphony Orchestra and later moved to the Durban Symphony Orchestra before furthering his studies in politics and psychology at the University of the Orange Free State. He was a central figure in the establishment of the Free State Instrumental Programme and the OFS Symphony Orchestra. In 1979, he took up a lecturing position at the University of Port Elizabeth, where he initiated the brass studies programme and expanded it to one of the largest and most successful brass practices in the country by the time of his departure to Cape Town in 1987. He was appointed as senior lecturer at the South African College of Music, University of Cape Town in July 1987 where he was the convener of brass studies, building up an impressive studio of brass students during his tenure. He also lectured in acoustics and conducted the University of Cape Town Wind Symphony until his retirement in December 2007.

Sean is a committee member and the conductor of the semi-professional symphonic wind ensemble, Windworx, established in 2005, and has conducted this ensemble in numerous performances throughout the Western Cape. He was conductor of the Cape Philharmonic Youth Wind Ensemble from 2004 – 2014 , has been conductor and clinician at numerous South African National Youth Orchestra Courses and has been invited to coach and lecture for community music organisations throughout the Western and Eastern Cape. He is past-president and currently a committee member of the South African Horn Society and received the prestigious Punto award, in recognition of his distinguished contributions and service to the art of horn playing and teaching, from the International Horn Society at the 38th International Horn Symposium in 2006. His current teaching activities include teaching brass students at the University of the Western Cape Centre for the Performing Arts, instructing prospective Bandmasters as well as brass students enrolled in the Certificate Programme, Higher Certificate, Diploma and Degree courses at the Music Department, Stellenbosch and he trains and conducts the University of Stellenbosch Brass Ensemble. In 2014, he was awarded the prestigious Parnussus award by the Music Department, Stellenbosch University, in recognition of his contribution to brass pedagogy in South Africa.

Pamela Kierman

By Brass

pkierman@sun.ac.za

Pamela Kierman graduated with a BMus from the University of Port Elizabeth in 1983 and MMus from Stellenbosch University in 2009.  She worked extensively with Children’s Theatre and the RAD Ballet in her undergraduate years as arranger and accompanist. As French hornist she was a member of the Prince Alfred’s Guard Band and first horn of the former-CAPAB orchestra in Port Elizabeth. She taught brass in the band programme at Alexander Road High School from 1986-1987 until her departure for Cape Town where she took up the appointment of brass specialist at Hoërskool Voortrekker in July 1987. She participated in the upgrading of the SACC Band in Wynberg, now the South African Army Band, Cape Town, based at Youngsfield and in 1991 was appointed as brass teacher at Plumstead High School where she headed up the music department from 1994 – 1998. She taught in the Genesis Project, an outreach programme initiated by Sean Kierman and Michael Blake at the University of Cape Town and was a part-time brass lecturer at the South African College of Music, UCT.

In 1998, she was appointed as the Head of Brass at the Beau Soleil Music Centre where she remained until her appointment in the Music Department, Stellenbosch University in 2004. At the University she co-ordinates and lectures in the brass department, conducts the Stellenbosch University Symphonic Wind Ensemble and works extensively with the Rural Engagement Programme of the Certificate Programme.  As an ad hoc horn-player, she has performed with the Cape Sinfonia, the Cape Town Chamber Orchestra, Windworx Symphonic Wind Orchestra, Con Spirito Symphony Orchestra, the former CAPAB and the Namibian Symphony Orchestra. She has also been active as a chamber musician, performing in brass quintets and horn quartets throughout the Western Cape. She is a deputy-chair of the South African Horn Society, a committee member of the semi-professional symphonic wind ensemble, Windworx and past vice-president of the Western Cape branch of the South African Society of Music Teachers

Pamela has worked extensively in the sphere of community music and regularly adjudicates community band competitions, conducts workshops with ‘community brass’ and consults with community music organisations on matters of funding, proposal writing, sustainability, brass pedagogy etc.  She was chairperson of the Faculty of Arts and Social Sciences Community Interaction and Service-Learning Committee from 2012-2015 and co-ordinates the final year Service Learning module at SU. She is currently pursuing PhD studies at the Music Department, Stellenbosch University.

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